Movie Hub

                                Taste The Feeling The advertisement above that will be analyzed was created for the new big Coca-Cola campaign titled “Taste the Feeling” in 2016.                                                      Contrast The dark and light parts in the picture demonstrate the contrast in this commercial. The people stand out against a bright, light background while wearing dark attire. The viewer's attention is drawn to the joyful and smiling couple and then to the bottle of Coke that the girl is holding because of the stark contrast in hue. The Coca-Cola logo likewise makes use of contrast. It stands out and attracts the viewer's attention since it is isolated in the upper left corner and is a vivid red on a black background.     ...

    British Cosmetics Beauty Product Advertisements Analyze British cosmetics advertisements employ techniques to enact gender characteristics and to affect how we perceive beauty, masculinity, and femininity. They reflect social values, changing gender roles, and shifts in cultural beauty standards. British cosmetics ads often reinforce traditional and evolving femininity through images, messaging, and positioning. Softness and elegance can be seen in these ads. Women have smooth skin, delicate features, and elegant postures. They are graceful and refined. These ads feature young, flawless-looking models and emphasize anti-aging products and cosmetics that claim to product flawless skin. Soft lighting, pastel colors, and floral imagery add feminine flair. Cosmetics were originally reserved for women, but men’s grooming products have exploded, with clearly masculine portrayals. Male models  often have defined jawlines, neat beards and muscular bodies, exuding strength and...

                                                                                  Hi Nanna Movie Review Hi Nanna is a strange movie. The best way I can describe it is that involvement is never impeded by familiarity. You can't help but be moved by it, but you can't tell someone the tale without it seeming like a rehashing of a thousand different thoughts. The filmmaker Shouryuv takes what is essentially a cliché and modifies it using a variety of techniques. It's in the manner he manipulates viewpoints in the flashback, which is split into two sections: nanna katha and amma katha. Although the story's purported "amma" is told from Viraj's point of view, we do learn a little bit about Yashna (Mrunal), including the corny examination of divorce, b...